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Louvre Ceramics: Louvre丨David

Release time:2024-10-24click:0

Walking in the corridor of art,

The entire space is like a piece of music performed by different architectural elements,

Feel the collision of contemporary language and different charms, and the blending of scenes,

Travel through ancient times and modern times, and feel the new meaning that the times have given to cultural integrity.

On the afternoon of December 6, 2019, the art explorers of the Louvre Museum were already ready to move, driving and leading the young designers of the Louvre Museum to The "Zinitang Creative Park" located in Panyu, Guangzhou, embarks on an in-depth journey to build inspirational art.

"Construction·Inspiration·Art" Louvre Ceramics pursues the ultimate integration of art and design, seeks the essential roots of art and design, and explores the artistic atmosphere of space and structure. , launch a theme activity with "art" as the protagonist.

Zinitang Creative Park was formerly the largest sugar factory in Guangdong Province. After 44 years of ups and downs, it was still unable to withstand the survival of the fittest in social development. Closure is the end. In 2013, Zinitang Company was established and began to transform the old factory into Zinitang Creative Park..

Preserve the old factory site, and move a new business model here, colliding tradition with innovation, combining industry with art, Lingnan culture and industry With the fusion of decadent style, the architecture of Zini Tang Factory was finally continued and innovated.

Compatible with old and new

Old and new compatible

When you first arrive at Zinitang Creative Park, your first impression is that of the accumulation of vicissitudes of time. There is no traffic, but it seems to be as noisy as industrial heavy weaving. The yellow Soviet-style buildings are so quiet that people can temporarily forget about the noisy quiet roads.

The contradiction between the new and the old is expanded, revealed, and tainted with the breath of life, and finally contained.

The old-fashioned buildings are lined up on both sides of the avenue. Looking at the bricks, inches of soil, plants and trees in the factory from a distance, the atmosphere that has been hidden by time will be released. .

The reluctance to abandon time and history revealed by the old factory has finally become a safe and eternal existence. The overall layout exuded by the new buildings and new models is smooth and natural. , throughout the park, the fusion of new and old is particularly striking and eye-catching.

The main theme is old buildings, abandoned factories and machines, and unified through several main materials such as new commercial spaces, new design crafts, and new display modes. The Zini Hall is constructed as a calm and restrained space, and the symbols of craft culture since the 20th century are imprinted on the entire park.

The experience of exploring and communicating with old buildings and witnessing the blending of old and new cultures contains more of an in-depth analysis of interior design art and an innovative inheritance of old architectural culture.

In an era of rapid development of science and technology, design is no longer a process-based professional type of work, it should have more humanistic feelings.

A design that can be firmly embedded in one's own life scene, rather than floating in the clouds and out of reach, is not a good design.

New inheritance of traditional crafts

New inheritance of traditional crafts

In this trip of architecture and inspirational art, there is such a special stop - Dongshanshe·Mortise and Tenon Art Space.

The film that was nominated for Best Film and Best Screenplay at the 1st Saipan International Film Festival in 2017 - The prototype of Mortise and Tenon Art Space is Dongshan Society Mortise and Tenon Art Space the founder of.

Discover, excavate, and inject innovative elements to better inherit and innovate the broad and profound Chinese civilization of five thousand years. The emotional stories in each building are consistent with the structure of each building. Chinese ancient architecture is a living carrier of our country’s culture.A building known as the “Bamin Official House”, as one of the representatives of Fujian’s historical architecture, was moved from Fujian to Guangzhou. But its structure and appearance are no different. Its connotation of culture and art has also been passed down to this end.

(Chen Jun, the founder of Dongshan Society, is introducing the "Bamin Official House" to the designer)

The renovation of Zini Hall focuses on the combination of old and new cultures. Similarly, Louvre David Decoration & Louvre Tiles rely on the "art of letting people live" With the concept of "life-oriented", we have always focused on the pursuit of youth, trend, fashion and future. Combine and integrate new and old cultures with each other, so as to innovate and create the future.

Art is vital, and its infinite thinking determines the value and meaning of existence. Only by absorbing more fresh elements can we burst out a steady stream of creativity again. source of ideas, and then design works of art with more cultural heritage.

Building an inspirational art trip, Louvre makes art a life-like experience.

(This article is provided by the enterprise)

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